Singing Drivel

There are seven hundred twenty numbered hymns in The Hymnal 1982, though in practice the number is somewhat lower, due to multiple tunes and certain songs unsuited to ordinary hymn singing (e.g. the rounds). So let's say that the actual number is more like the six hundred that the 1940 hymnal contained. In actual practice no parish uses them all: some are just duds, and the office hymns simply see little use as people don't do those services much, and there are all the unsingable new tunes. But a lot of them simply do not reflect the taste of whoever sets up the liturgy. And the warhorses that people want to hear over and over leave less room for others. Our organist comes from outside the Anglican tradition, and she frequently asks me whether the congregation knows a certain hymn. I've at least looked at every single one, if not sung them all. (You can hear one of a few marathon trips through the lot here.) THe truth is that our parish, for several reasons, works with a relatively small subset of the entirety: if we use as many as half the total in a three year lectionary cycle, I'd be quite surprised. I suspect the number is closer to a third, probably less. Pne opf those reasons is that we also have a band, so that half the hymn slots are taken up by their songs.

But on top of this the new rector likes to put in music from the various supplements. We have enough Wonder Love and Praise copies to put them in the pews, though we haven't bothered to in years. Mostly what we sing from there are "contemporary" RC music warhorses, and it's always the same few. We also have Lift Every Voice and Sing for music from the black church tradition. Again we don't range widely through it.

But I haven't kept up with the progression of supplements, and lately we've been getting ones with newly written material. Occasionally there is a winner among these: "Mary Heard the Angel's Message" is a good text with a good melody. More typically the music is marginally tolerable, but the text is, well, bad.

Especially they tend towards the precious. Writing your own version of the Benedicite is always a risky business, especially when St. Francis almost certainly did a better job (and got it set twice n the hymnal at that: "All Creatures of Our God and King", which everyone sings, and "Most High Omnipotent Good Lord", which nobody does). You are already at peril of getting the treatment C. F. Alexander got at the hands of Monty Python:

All things dull and ugly
All creatures short and squat
All things rude and nasty
The Lord God made the lot.

And that leads to one of the hymnal duds: "Earth and All Stars", which most likely got in on the strength of a good tune and a reasonably good first verse. After that, it goes steeply downhill, what with the "loud humming cellos" and "loud boiling test tubes", and again there's that problem that parody is all too easy:

Vermin and pests,
Loud gnawing termites,
Sing to the Lord a new song;
Insects and bugs,
Loud stinging hornets,
Sing to the Lord a new song.

(I have more where that came from.) This peril has not however dissuaded others from trying thigs along the same line. So this past Sunday we got "God of the Sparrow" by Jaroslav Vadja, who as it happens has an entry in the hymnal: "Now the Silence, Now the Peace"; it makes for a nice solo during communion but which s not terribly practical for congregational singing. This "new" hymn (it actually dates from the late 1980s and appears in the 1989 UMC hymnal) at least has verses and a singable if not great tune, has the same kind of structure as "Earth and All Stars": each verse is the same except with different nouns filled in the blanks. And I'm sorry, Mr. Vadja, but on top of the problem of easy parody, the langauge is stilted and contrived. And yes, the parody. If "how does the creature say awe" brings to my not-inclined-to-reverence mind the point in the first George of the Jungle movie where the narrator is arguing with the characters about the "aaaw" they are experiencing seeing Ape Mountain for the first time, the urge to stick in random words is nearly irresistable. As it is, I kept my mouth shut and tried to think of other things.

Look, I know about writing hymns: it isn't easy, especially when you're trying to say something "new". I've tended to write my own texts, if only to escape copyright issues, but it is also difficult to find good material because the field is so heavily plowed and because so much of it is, well, sentimental tripe. There's a reason why most of the 400s from the 1940 hymnal didn't make the cut for 1982: they represent a Victorian piety and sentimentality which just didn't survive two world wars and then the sixties, at least not in my church.Mostly mine are assembled from BCP and scriptural material, which also helps me avoid theological novelty. I did set one of the Davids Adams's texts, but these are patterned after old Celtic forms (and as it happens, the one I chose also ended up in the New Oxford Easy Anthem Book), but by and large I find way too much recent material to be contrived and precious. And you always the risk of writing bad theology like "Mary Did You Know" (answer: YES! SHE DID!).

And as it stands, everyone knows the hymnal revision process is not going to kick into gear any time soon; but at the same tine, there is the same dissatisfaction with it that one sees with the BCP rites: a loss of nerve in the face of "progressive" social sentiment. Which is not totally bad: I'm plenty happy to sing a hymn written from the Virgin's perspective, if it be well-written and the theology be sound. But at the same time, they could crack the hymnal itself and try something "new" there.